artruby:
Marina Abramovic & Ulay
light / dark, 1977
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(via rareandunfitting)
Atom Deguire
The Good Host, 2011
Blackwood Gallery // Mississauga, Canada
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burymyart:
R.I.S.E.
Oral Archive Series 001 (Cassette Tape), 2013
The Same Old Song – Russell Means
Without Bureaucracy, Beyond Inclusion: Re-Centering Feminism – Andrea Smith
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Radical
Indigenous
Survivance &
Empowerment
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chloedietz:
Yesterday there were posters strewn all over the commons reading
STUDENT DEBT
AND
WAGE SLAVERY
WILL
DESTROY
EDUCATION
This morning Tom Manley sat in the commons to have coffee and answer questions with students. I heard about the conversation from faculty yesterday, yet I don’t know a single student who received an e-mail about it (I have been asking).
Tom Manley’s assistant cleaned up the posters before he came into the room.
So this morning, a new double-sided poster is going around.
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R.I.S.E.
RADICAL
INDIGENOUS
SURVIVANCE &
EMPOWERMENT
Excerpt: Why I Can’t Read Wallace Stegner, by Elizabeth Cook-Lynn
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HAPPY BIRTHDAY, LOVER BOY!!!
Keith Haring
(May 4, 1958 – February 16, 1990)
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burymyart:
Bury My Art At Wounded Knee (Poster), 2013
-Russell Means, The Same Old Song
Bury My Art At Wounded Knee: Blood & Guts in the Art School Industrial Complex is a proposed transdisciplinary space that aims to raise awareness and interrogate the manner in which Native north american art functions within the art institution. Focusing primarily on the absence of contemporary Indigenous art within the realms of the art school industrial complex, this thesis exhibition is a study initiated by an imagined and unapologetic collective, R.I.S.E.: Radical Indigenous Survivance & Empowerment. It honors the actions set forth by Native north american artists, activists, writers, and visionaries, in order to provide an adaptable platform for future generations of Native warriors.
Instigated by Demian Dine’ Yazhi’ &
R.I.S.E.: Radical Indigenous Survivance & Empowerment
http://burymyart.tumblr.com/
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Kathy Acker (1947-1997)
Photographed by: Allen Ginsberg
“Kathy Acker in Green Room, Detroit Institute of the Arts, one night February 1985 we read together with Diane Di Prima - she writes violent sexual feminist narratives, parody of imaginative love - torture novels, lives in London, first published chapters of books as pamphlets I found in the mail from Lower East Side New York”
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UPDATE: Please join director David Weissman, Queer Union & Cock Gallery on Friday, April 26, 2013 @ 7pm for a special screening of ‘We Were Here.’ Seating is limited and the screening will be followed by a conversation between the director and audience.
“We Were Here utilizes San Francisco’s experience with AIDS to open up an overdue conversation both about the history of the epidemic, and the lessons to be learned from it.”
Cock Gallery @ Everett Street Lofts
625 NW Everett St, #106, Portland, OR, 97208
503-552-8686
https://www.facebook.com/events/184971978316487/
http://wewereherefilm.com/
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